Techniques for a Dynamic Storytime
a
workshop by author Matthew Gollub
Copyright 2003 Matthew Gollub All Rights Reserved
(available on video)
Eyes...Face...Shoulders...Hands....Feet...Heart....Voice...You....In 3 Speeds!
I. Preparation for Dynamic Read-Aloud Session:
A. Choice of stories: Selecting stories for the proper age. Consulting children's librarians. Strategies for mixed age groups. Keeping holidays, seasons, class lessons in mind. Choose stories you like! Practice and have fun.
B. Practicing the story, fully digesting it. Can you tell it?
C. Logistics: space, temperature, sun, ventilation, lighting, seating, number of students.
D. Ambiance: visual displays, (candle, flowers, bell, shaker, book display)
E. Preparation of students: sense of ceremony about story time. (Put away pencils, notebooks, toys, gum, etc. Only story-teller/reader talks.) Questions to prime audience. Summary of previous session if you're reading serially.
F. Setting up a regular reading time. (Listening is an acquired ability, not one learned overnight.)
II. Read-Aloud Presentation:
A. Relax, don't rush. Allow listeners to form pictures of content in their minds.
B. Finding your voice in three different tones:
1) natural, easy-going, sustainable.
2) dramatic, intense, or with edge.
3) emotionally charged (use sparingly) Pauses, varying your pace and volume. Taking chances; going out on a limb.
C. Sitting vs. standing. Gestures. Facial expressions.
D. Visual props: the book, accessories. Costumes. Remember group size.
E. Auditory props: recorded music. Live music. Sound effects.
F. Change tone of voice, if possible, with characters.
G. Accents, dialect: using them with respect.
H. Switching between 2 languages: Main points. Just enough to follow.
I. Body language: posture, hands, feeling comfortable:
III. Involving the Audience in Read-Aloud Session:
A. Repeated phrases (younger kids). Pausing to allow children to fill in the text, even if they can't yet read. (Rhyming text is great for this.)
B. Dramatization. Actions for everyone. Choosing volunteers. Giving them clear, specific directions for action. Showing them, not just telling them.
C. Volunteers to help with props.
D. Problem listeners: reading with increased conviction. Weaving in gentle discipline to the reading. (Avoid sharp reprimands; they are not conducive to a good, relaxed listening experience.)
Copyright 2003 Matthew Gollub All Rights Reserved